Each image captures a sculptural composition formed of a heady mix of substances and materials, photographed from above. Delicate flowers are suspended in transient states, poised between life and death, in a variety of organic and toxic liquids ranging from tomato juice to Windolene.
Chadwick often referred to the 'Wreaths' as 'bad blooms', explosions of form and colour that are simultaneously seductive and repellent.
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